Popular culture of Raver people

Number of pages: 170 File Format: word File Code: 31562
Year: 2013 University Degree: Master's degree Category: Literature - Persian Language
  • Part of the Content
  • Contents & Resources
  • Summary of Popular culture of Raver people

    Master's Thesis for receiving the degree of "M.A"

    Abstract:

    The popular culture and literature of Rawrah people is like the popular literature of other regions of the country, which is spread orally among the people. It is necessary to preserve these precious works that have been passed down from chest to chest, if we take a brief look at the words, a large percentage Among these words, there are old Persian words or their derivatives and changes that can be seen in the works of Beja Ma Nadeh.

    In this treatise, the geographical, climatic and historical location of the Raver region and the background of the research are discussed in detail, and the library and field research method is used, and the findings of the research include the examined couplets of oral literature that have the color and luster of this border and landscape. A number of legends and short stories, beliefs and beliefs that are rooted in the veins and blood of these people and a number of lullabies that give mothers peace of mind with their beloved children and a large number of common proverbs among the people that symbolize the rich culture of this region and about 3000 words and expressions that are the special dialect of this region are the result of the efforts of this collection.

    key words: Raver popular literature - legend - two verses - lullaby - local words

    Introduction

    Kerman and consequently Raver despite all its spiritual richness and vast, material and historical values, unfortunately remained unknown and abandoned and of course paid a heavy price from This is paid for. What vast material possibilities and bright and enlightening thoughts that were hidden and remained unused and finally fell into the dust. It is natural that situations like this waste values ??and hinder the flourishing of talents. We can boldly say that Raver has a lot to say and the contents of this collection are one of a thousand, and the field of words does not end here. Therefore, researchers and researchers, especially dear young people, are expected to take a step in this way and not be afraid of limitations. Because, according to Saeb's words:

    You can talk about Zolf Yar for a lifetime. style="direction: rtl;">According to the various opinions that exist, it is not possible to correctly determine the reason for naming this area as "Raver", one of which is that: this area was the center and location of Kerman Lut road, and some soldiers always protected this road and kept it safe from the attack of thieves and looters. Therefore, this place is called "Raver" short for "Rahor". Also, it can be said that this name is an abbreviation and modified word "Rahbar" which means the winning way and the one who takes someone somewhere. It means the guide, the guide, the guide and the one who prevents the other from going astray.

    And this is the reason that the thoughts in this area have been a group as a guide and a guide. who, due to their complete knowledge of the region and the caravan routes, would pass the travelers and pilgrims through Lot and bring them to a safe area. And from the other side, they would return to Raver with the travelers who had gone to Kerman or other areas, because walking alone and without a guide in this endless desert required courage and courage, as Farrokhi said:

    Raheber

    May God trust you, O king of the age of certainty

    Another theory that has been mentioned in the name Raver is that "Vor" in the ancient times of Iran means a castle, like Jamvar, which was a castle that Jamshid built after a storm and placed a pair of all creatures in it so that their descendants would not perish, so it is more possible that At the end of them, there is the suffix "var", it must mean a castle. And (Kangavar) which means the girl's castle and the shrine of Anahita was the goddess of femininity.

    But Raver can mean far away, the fortress of the way, and the tower of the way, and the famous tower of Raver is still a guide for the desert walkers and attracts the eyes in the entry of Koirat Iran.

    According to the things stated about Raver city and the popular culture of its people, there is a lot to say and we will summarize it in five chapters in this treatise. style="direction: rtl;">Chapter Four ? Research Findings

    Chapter Five ? Conclusion

    The customs and traditions of the past reflect their experience and special way of life over time. Folk culture is a part of the mixtures of the mass of people, which transmits various wishes, feelings, imagination and thoughts from one generation to another, and expresses the transformation of the aesthetic and moral standards of each period of a people's life. The culture of every language and speech of the common people is a valuable heritage left from the past, which has been orally transmitted to the next generations in the form of works of taste.

    Popular literature includes different inner layers, each of which indicates a historical and cultural period of this ancient land. Since the popular culture includes the language, dialect and common customs of every society and unfortunately these words and terms are gradually being forgotten and this cultural richness is in great danger because they have been lost, therefore, to prevent this disaster, we must roll up our sleeves to collect and record this national and popular heritage. Raver, which can be seen in the sweet and pleasant dialect of its people, I will compile this collection which contains the following:

    Historical, geographical, climatic, and artistic features of Raver city

    Folk culture of Raver people

    Oral literature of Raver people

    Ravari language and dialect

    Research objectives

    Overall objective

    Knowing the popular culture of the Raver people

    Partial objectives

    1- Introduction With common customs and traditions among people

    a) Performing games

    b) How to celebrate holidays and celebrations

    c) Examining customary customs in weddings

    d) Customary customs in mourning

    2- Familiarity with literature Common people

    a) common expressions and proverbs

    b) colloquial dialect collection

    c) songs

    d) legends

    Research Questions

    What is the geographical location of the Raver region?

    Are the customs and cultural characteristics of this land unique to them?

    Why has so far less literary effort been used to introduce the rich culture of Raver?

    Is the dialect of the Raver people a unique dialect?

    Are the legends common among the Raver people local and special?

    Are the idioms and proverbs of the Raver people special to them?

    Research hypothesis

    Hypothesis Main: Raver people have their own culture and literature, which is different from other cities.

    Raver people have their own customs and traditions.

    The terms and proverbs of Raver people are their own.

    The celebration and holidays in Raver are special.

    The songs of the Raver people are unique.

    The Raver people have their own dialect, which is different from the standard Persian dialect.

    The customs of the Raver people in mourning and wedding ceremonies are different from other places.

  • Contents & References of Popular culture of Raver people

    List:

    Title

    Page

    Abstract .. 1

    Introduction .. 2

    Research method.         4

    Research objectives.         4

    Research background.          4

    The first chapter: a look at the life, works and style of Wasal.          5

    1-1- The works of the joiner.         7

    1-2- Vasal poetic style.         8

    1-3- return style.          9

    The second chapter: Simile.         15

    2-1- Kinds of analogy to the validity of removing or mentioning the pillars.         17

    2-2- Types of similes to the emotional and intellectual validity of their parties.          18

    2-3- Imaginary analogy.          20

    2-4- Illusory analogy.        20

    2-5- Types of similes to singular, binding and compound validity.         20

    2-6- quasi-investigative and imaginative aspects.         22

    2-7- Pseudo-double currency or employment industry.        22

    2-8- Semi-singular, plural and compound forms.      23

    2-9- Allegorical simile.      23

    2-10- Angle of analogy.      24

    2-11- simile addition.       24

    2-12- Types of similes in terms of shape.     26

    2-13- renewing the simile.         29

    2-14- For the purpose of analogy.       29

    Chapter three: Examining similes in the opening five hundred sonnets of Divan Wasal Shirazi.        30

    Chapter Four: Conclusion.      184

    Conclusion.      185

    Charts 186

    Resources.       191

    193       ................................................ Abstract  

    Source:

    ) Experience, Nusrat, (1350), The style of poetry in the Qajar era, Tehran, Massoud Saad.

    2) Hafez Shirazi, Shams al-Din, (1367), Diwan, by the efforts of Mohammad Qazvini and Dr. Qasim Ghani, Tehran, Zovar bookstore, print Fifth.

    3) Khatami, Ahmad, (1371), Indian style during the return period, Tehran, Ahmadi.

    4) Rohani Wasal Shirazi, Ali, (1386), Golshan Wasal, edited and edited by Dr. Mahmoud Tawasi, Shiraz, Navid. 5) Ripka, Ian; Kalima, Atakar; Bachka, Irzhi; (1370), History of Literature in Iran, translated by Ki Khosro, Agriculture, Tehran, Gotemberg and Javidan Khard.

    6) Shams Langroudi, Mohammad, (1372), School of Return, Tehran, author.

    7) Shamisa, Siros, (1390), Bayan and Meaning, Tehran, Mitra.

    8) Kazzazi, Mirjalaluddin, (1389), Aesthetics of Speech Parsi, Tehran, Center, ninth edition.

    9) Nowrozi, Jahanbakhsh, (1380), Maani Vebian, Shiraz, Kosha Mehr, second edition.

    10) Wasal Shirazi, Mirza Shafi, (1378), Divan Wasal Shirazi, edited and edited by Dr. Mahmoudavosi, Shiraz, Navid, vol. 2.

    11) Hidayt, Reza Qoli Khan, (1340), Majma al-Fasha, by the efforts of Mazahir Mosfa, Tehran, Amir Kabir.

    12)____________, (1344), Riaz Al-Arifin Taskira, by the efforts of Mehr Ali Gorgani, Tehran, Mahmoudi bookstore.

    13) al-Din, (1370), Maani and Bayan, by the efforts of Mrs. Mahdekht Homai, Tehran, Homa.

Popular culture of Raver people